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III. journal

March 18, 2008

the ringmaster

He locked the door behind him and his eyes automatically scanned the room for tall tale signs of anyone else being there. His eyes gazed from one corner to the other: from the shelf that housed a thousand papers, some pieces of clothing, and toiletries; to the window that overlooked the carnival outside; to the white board with blue strokes of dates, names, and amounts of money; and, finally, to the only door in the room, double checking if it was really locked.

He walked across the room, stepping on small, white envelopes with speckles of dirt on the area where the sticky tape should be. He continued walking, crumpling pieces of paper with “I can’t do this anymore” notes on them. He walked over pictures of himself with different women, in different times, in the same background of countless lovers in the People’s Park.

He switched on the overhead lamp standing on his desk. Its bulb flickered. He took a paper weight from his desktop and knocked on the lamp a few times. The bulb stuttered for a moment until it finally managed to light up. He looked outside of the window, leaning to the left and checking the right side of the carnival and vice versa. He closed the blinds and went to the light switch at the door. He switched it off and took out two pouches from his jacket.

He placed the pouches on his desk, took off his jacket and placed it on the shelf. He started to undress. The hazy light from the overhead lamp traced his body as he took his shirt off. He had thin arms; it looked as if his skin was merely taped on his bones. The veins in his arms wired out like worms constricting his arms. His ribs protruded from his chest, forming deep ridges from his clavicle down to his stomach. His navel was the center of the singular mound of fat in his body.

He threw his shirt on the floor and felt his way to the chair behind his desk. He sat on it and stretched himself a little before taking a pouch and opening it. His fingers were long, dark, and soft. On each ring finger was a gold ring with different stones for each. One had a large ruby embedded on it; the other had tiny diamonds studded on it. His eyes stared at the mouth of the pouch as his fingers untied its knot.

Klang! A cat stumbled on a garbage can outside, he quickly put the pouch between his legs and took the other and dropped it on the floor.

Fucking cat! He said between clenched teeth. He put out the pouch from his thighs, untied it, and took out a wad of money.

Nine twenty, nine forty, nine ninety. His lips moved as whispered numbers flowed out. His almond eyes were bloodshot. They glanced at the light from the bottom of the door once in a while, as his fingers sorted out bills and his cracked lips continued counting.

Five seventy. He placed the bills on his desk and placed a paperweight on top of it. He took out a box from the bottom of his desk. He reached into his pocket and took out a small key. He unlocked the box and placed the money inside it. He locked the box again, hid the key, and then placed the box under his desk. He started opening the second pouch.

As he counted the money inside from the second pouch, the shadow of his hands danced upon the shelf. There, lying on the darkest corner was a yellowing picture of a family. Each person in the picture had their heads defaced by white scratches. Only one figure remained intact — an expressionless, little boy who, alone, wore a dirty, patched shirt. The only malnourished child wit eyes shaped like almonds.

[650 words]

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carnIVal

March 16, 2008

I. the carnival

Seven Dead in Burned Carnival

MAA, DAVAO CITY (DAVAOTODAY / March 23, 2008) — Seven unidentified bodies have been found burned to death when a fire of still unknown origin razed the whole carnival here, police said Saturday.

However, Senior Police Officer 4 Eulogio de Jesus, city police investigator, claims the seven bodies were tied together on a post inside the main tent when the incident occurred around 3:00 a.m. Saturday. “The fire could not have been the cause of their deaths,” said de Jesus.

An autopsy released last night raises more grueling facts. “Indeed, the fire was not the cause of death for the seven,” said Dr. Simisma Estudio, who performed the autopsy. Several injuries were found in each of the victims bodies. Present in all of them is an ‘X’ etched on their skulls. “And countless various wounds in different parts of the body from a dull edge,” Dr. Estudio said.

SPO4 de Jesus said he is already on the case to track down who was responsible for the deaths and the fire. (Angelo M. Garcia / DavaoToday contributor)
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II. the inspector

March 22, 2008
Magdalene Carnival, Maa
15:08:17

A light drizzle is starting to build up and a cold breeze sweeps pass mounds of ashes. A lone investigator zips up his jacket and lowers the visor of his cap. He is crouching in front of a rusty, twenty-meter pole, the last standing structure in the field of crumbled foundations and burnt fabric. Around him are countless protrusions of black wood that point heavenward – smoke coming out from their fiery tips and floating towards the grey clouds. Beyond the warm field of cackling wood stand the cold, concrete commercial structures that echo the honks of cars.
He studies a piece of burnt abaca rope with his right hand and flicks a cigarette with his left. He gazes up to the mountains on the horizon. He doesn’t see them. He doesn’t know where the distant mountains end and where the heavy clouds begin. The sound of burning is gradually being muffled by the countless falling raindrops. They we’re tied. How did all this happen?
He takes out a zip lock bag, zips it open, places the piece of rope inside, zips it close, and places it inside his jacket. He stands up and takes a deep breath – the scent of wet earth and burning plastic rush through his lungs. Unconsciously, he takes his time walking around the remains of the burnt tent; his cigarette is already nearing its filter; his eyes are becoming watery from the stench. Why would anyone do this?
He turns his back on the pole and looks up at the looming clouds. He sips his cigarette to its filter, inhales, holds the smoke in, and flicks the cigarette butt away. Who could have done this?
The silver streaks from the grayish-blue skies begin to fall harder. He starts to walk faster towards his car, each step crumbling burnt wood beneath his feet, sending clouds of dust ripping behind his calves. He starts to run while looking at the ground, noticing raindrops make a dark circles on the dry ground. A loud thunder cracks over the skies. He stops in his tracks and takes a glimpse at the burnt structure of twisted metal pasted on a cloudy backdrop.
He reaches his car and opens its door; he slides inside and locks himself in. The inside of the car is dry and the only noise is the tapping of countless raindrops. The investigator starts to take his jacket off and notices a notebook on the passenger seat. His eye brows meet as he reaches for the foreign object. As he flips through its pages, a dust-covered rosary sways on the rearview mirror; a fresh sampaguita string beside it diffuses its scent; a storm is brewing outside.

[455 words]
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III. the journal

the ringmaster

the clown

the caretaker

the muse

the lover

the torch

the acrobat

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IV. the writer

March 22, 2008
St. Paul Church, Juna Subd.,
15:07:06


In nomine Patris, et Filii, et Spiritus Sancti.

The inside of the building is well lit and damp. Multiple orbs, suspended by thin wires, illuminate the ceiling; casting restless shadows on the wet, marble floor. A splash of hazy yellow spill on an array of wooden pews that lie in order: four columns of benches sanctified by time, and time alone. The constant sweeping of the wind slice throughout the structure from its entrances — three walls ripped out to accommodate metal railings. Numerous statuettes acquire a thin film of mist around them, forming definite droplets on their cheeks. The black speakers sitting on the corners start to talk.

Suscipe, Domine…

On the center stage, facing the pews, an enormous slab of gray stone sits. Behind it, a lone figure floats a good two meters above the ground. It is a figure of a man with out-stretched arms with a purple fabric that fails to cover every inch of the man’s body. Around the man, stand countless candles that flicker with each sweeping wind. The figure doesn’t sway. Massive cables are hooked behind it, preventing it from toppling over and sending a thousand pieces of concrete on the stone slab.

Universam meam libertatem…

A man all dressed in white approaches the center stage. His voice booms on the speaker. Brothers and sisters! The Lord has risen! The Lord has risen! He is an old man with streaks of silver hair on his crown and dark lines across his forehead. His eyes are hidden behind eyeglasses, and his cheeks and chin are covered with facial hair. Rejoice dear brothers and sisters! Rejoice! He swings his arms across the whole building, his right wrist glitters with a silver accessory. He immediately puts it down; his white sleeves fall and cover his hand. He continues talking, walking around the stage, gesturing at the floating figure, and looking at everyone inside the building.

Accipe memoriam…

Most of the people in the audience appear to be senior citizens. They all have silver hair: others wear theirs in a way that only the roots shine with opaque white; others have them glued on their scalp with pomade; others hide them in a thin, white veil. They all have deep ridges on their faces. Their skins are loose, hanging below their chins and their elbows. They all have milky eyes that watch the moving figure at the stage. Some of them bow their heads, their fingers playing with beads. Some of them just look at their hands resting on their laps.

Intellectum…

There are children running around the spaces between the pews. Some of them are crying, seated beside a father or a mother or a nurse. Some of them are talking with each other. All of them are noisy. Most of them don’t look at the man standing on the stage. Some, if by chance, get a glimpse of him, snicker. Negro. Little girls hold palm leaves and use them as fans. Little boys hold palm crosses and stab each other with them. On the other side of the building, an old lady seizes a young girl flicks her black fan between them. She drags the girl to her seat. The young girl sits and cries as the old lady goes on flicking her black fan between them.

Atque voluntatem omnem…

The man on the center stage stops talking and walks to the back of the stage. He comes back out and droplets of unscented liquid start to fly across the whole building. Streaks of clear water jump out of the translucent, plastic bottle in the man’s hand. A young boy, dressed in white, follows the man. He has his head cast down; his eyes are focused on the old man’s calves, following his footsteps. He is playing with a small, blue, plastic cap between his fingers. He drops the cap, he bends down to get it, and he stands up and sees the old man glaring at him. He bows his head and keeps the cap inside a fist.

Quidquid habeo vel possideo mihi largitus es…

Outside, the rain starts to fall harder. The scent of wet grass fills the building. A cold gust of wind rushes inside. The trees bend and green leaves start to fall. The sky and the concrete floor outside merge and slowly share the shades of gray. The hissing of the wind drowns out the voices of the choir from the speakers. Cold droplets are carried into the room by the wind. Children start to gather on one entrance, waving their palm fans and swords, imitating the way the old people catch the droplets from the plastic bottle with their respective leaves.

Id tibi totum restituo, ac tuae prorsus voluntati trado gubernandum…

On the far end of the entrance, away from the stage, a man stands shivering. He is wearing a wet denim jacket over a black shirt with a picture of eight individuals. Magdalene Carnival is written below the picture. His denim jeans have black, powdery streaks and dark discolorations from the knees to the feet. His shoes are black with white lines of unraveling threads. His hands bound each other below his stomach. His head is bowed down and droplets of water fall from his wavy, black hair. Shadows render his face unnoticeable.

Amorem tui solum cum gratia tua mihi dones…

Another gush of wind blows into the building, the man in the denim jacket is forced to gather his arms together. He embraces himself as he trembles some more. A woman reaches out to him with a towel in the hand. He ignores her. After three attempts to get his attention, she decides to walk away, grumbling. His right hand starts to rub his left arm. He turns his head from his left foot to his right, to his left, to his right. He lets go of himself and binds is hands together again.

Et dives sum satis, nec aliud quidquam ultra posco…

The man in the denim jacket raises his head and fixates on the image on the stage: the man with outstretched arms. He nods his head and starts to gaze at the people around him: the man in the white robe, the boy following him, the old people, and the children. He looks up at the man on stage again, closes his eyes, and bows his head again.

In nomine Patris, et Filii, et Spiritus Sancti.

The man in the denim jacket raises his right hand. He opens it a bit and a rosary reveals itself from the fist. He lifts his hand to his head, then to his stomach, to his left shoulder, to his right shoulder, and he finally kisses the crucifix. It is made of silver and it glistens with the light. All corners of it reflect the yellow light, except the long tip where a dark, red stain clings.

Amen.

The man zips up his denim jacket, covering the picture on his black shirt. He walks out into the heavy rain.

[1,180 words]

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The Passing Pervasive

February 7, 2008

Word count: 826

How could anything so passing be so pervasive? I asked myself as I stepped inside her house once again. She led me towards the fireplace and left me amidst its warm glare. I stared at the crackling flames. I heard the window locks click along with her light footsteps. I stared at the crackling flames. The whole room suddenly darkened and the smell of candle smoke filled the space: a familiar scent that catches you in one moment and leaves you the next.

How could anything so passing be so pervasive? I felt her light finger trace circles upon my spine. This sent chill down to every extremity and a spark in my chest — my webbed feet frozen, my heart beaten by a dozen hammers. She moved between me and the fire. I stared at her dark green eyes; she closed them and kissed my lower lip. I stared at her closed eyes. She held my waist, tilted her head and parted our lips. I licked my lower lip and tasted her saliva: a new taste that tingles the tip of the tongue in one moment and leaves you the next.

How could anything so passing be so pervasive? I took her hand off: what’s pleasing to the lips should be felt only by the lips. She moved away, her back faced me. She reached her hand above the fire place and took a lengthy rope out of an old wooden box. She stared at me, I stared back. She pushed me. I stepped back. She pushed me again. I stepped back. Again. And again. And again. Until I fell seated on a wooden chair. She stared at me, I stared back. With silent grace, she went behind me and the chair, took both my hands, and tied them behind. What’s pleasing to the lips should be felt only by the lips, said she, reading my mind. She took off her dress and I watched how the fire played with her silhouette — well defined curves: crescent moons for hips; soft, small breasts. I stared at the moving portrait: a scene I never saw before mirrors, shadows and motion making new scenes, evanescent.

How could anything so passing be so pervasive? She moved towards me and I swallowed trapped words in my throat. She held my chin and kissed my lips. My bound hands wanted to touch her, my heart wanted to jump out. But no, what’s pleasing to the lips should be felt only by the lips. A play of tongues, a play of tongues, a play of little bites, a play of lips. She started to take off my clothes. I want to see all of you, she said as my hands trembled and my lips said no. No. No. My bandaged breast lay before her eyes. I looked away, she kissed me again. She knelt before me and started unbuckling my shoes. I refused. No. No, please. She hushed me and took each boot off. Her eyes grew wide as she stared on the skin between each toe. She looked at me, I looked away. She sucked my toes, I drew sudden breath. An alien feeling: one that I have never felt before, tongue and lips caressing each toe. An alien feeling: one that I might never feel ever again.

How could anything so passing be so pervasive? Her hands glided on my legs, she rose between my legs and unbuttoned my pants. She slid my pants off and stood in front of me. There we were, nothing but breath and silk undergarments separated us. A play of tongues, a play of tongues, a play of little bites, a play of lips. Her hands brushed my hair, I couldn’t refuse. She seated herself on top of me. I felt the warmth between her legs. I felt my own warmth amidst cold hands and feet. She brushed my hair and kissed my neck. She planted little bites on my ears. She licked my collar bone. She kissed my chin. She kissed my nose. She sucked my lower lip. She did them again and again. Until the fireplace cackled dying flames: the familiar sound of fleeting light.

How could anything so passing be so pervasive? I tilted my head to the fireplace and saw the slit of white light formed by the rising sun. She kissed my lips three times, got up, got dressed, got my clothes, untied the rope off my wrists. My wrists throbbed. My heart throbbed.

I walked out into the fog. After a few steps, I turned to look back. She was between the heavy doors staring back at me.

“Play again?” said I. She smiled and said: “Could a woman love a woman for more than a night?” and slowly closed the door.

I turned to move away from the house: my throat was dry but something else within me was flowing, gushing.

I’m telling you stories. Trust me.

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anti-thesis

January 27, 2008

His eyes are closed windows to his soul; bloodshot orbs holding secrets, untold; spherical ambivalences even to the gods. They are often cast downward, observing how the light plays with shadows upon concrete, soil, and grass. They are rarely caught staring into other eyes, if so, he must be finding a sense of fascination to the owners of the other eyes. But, anyone “deserving” enough to get locked in the glare of his eyes would swear that they were designed to the very specifications of the Devil himself. They were perfect circles of dried blood with a point of pure darkness on each ones center. These dark pools are studded upon marble almonds which seem to have lost the glimmer present in almost all of his kind: a cynic, that’s the term used by his kind to label him and others like him. His brows were set permanently like those of an angered mother’s — a black arrow pointed downward, broken by the bridge of his nose. Below those eyes were dark blots of coffee and creme, weighing down his eyes, preventing them from sleep.

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Sleep: Waking Up on Christmas Eve as Murderers

January 4, 2008

It sucks that there was no article about HOW Mahid Mutilan, a peace development advocate in Mindanao, ACTUALLY died. The news articles only stated the words of Jesus Dureza, Presidential Adviser on the Peace Process: Mutilan died in a vehicular accident en route to Cagayan de Oro from Marawi City. And, that’s it. The exact moment and what CAUSED the accident wasn’t stated.

But, that’s a subject for another day. I’m only here to present a fiction derived from that “news”, if you could CALL it one, article. Note that I used the term “derive”, hence, this is GROSSLY inaccurate to the actual article.

Sleep: Waking Up on Christmas Eve as Murderers

“Ladislawa…”

He sat on the passenger seat of the taxi and slammed the door. He laid his head on the headrest and didn’t bother looking at the cab driver. It was about half past two o’clock in the morning and the streets were empty — save for the plastic wrappers of take-out food and cigarette butts lying on the cold asphalt road. The taxi began to chug down the avenue.

The yellow street lamps were warm amidst the cool December air sweeping across is face. He became nauseous and goose bumps crawled down his arms. He took out is cell phone and began texting the people he was with minutes ago. Focus — he thought, trying to key in the hazy letters upon the phone’s backlight screen — there’s no telling if the driver’s a crook of some sort.

He was afraid of falling asleep, imagining that he’d wake up in an abandoned warehouse, naked, limbs tied, mouth gagged, the driver calculating how much his victim’s ransom would be. He had every reason to be afraid. He wore branded garments — from the Nikes, to Levi’s, to Lacoste — a bracelet on his right hand, and a silver necklace. His face was the embodiment of generations of pure Spanish breeding. He was going to a high-end subdivision. Most importantly, he was drunk.

Upon reaching an intersection, the car slowed down. The car stopped meters away from the intersection. The streets were empty — no cars, no traffic officers, no cigarette vendors, no prostitutes. His phone trembled upon his sweaty hands. His muscles clenched as a cold feeling swelled from underneath. His eyes, only his eyes, slowly turned to the direction of the driver. He saw an old, balding man with eyes swollen and half open.

The boy’s eyes widened as his fear took on a very different form. They weren’t even a quarter away from the destination. He started to whistle.

The car started chugging once again. The driver turned on the car’s radio. The boy let out a silent sigh. The noise would keep both of us awake, he thought. He looked at his cell phone and started texting once again.

The moon was high and full as thin, grey clouds passed across its pale yellow face. There was a large circle around it that night. It would seem as if the moon was the center of a large circle drawn with a rainbow pencil upon a dark blue paper. It was a very silent night, until they reached a shortcut to their destination — the national highway.

Large trucks sprung forth from all directions and it took a while before the cab could submerge itself in the flow of ten-wheeled monsters. The boy was too busy texting to notice that time pass.

The boy could feel his veins pump alcohol in his tonsils, his eye lids were growing heavy, his grip on the phone weakening. He closed his eyes then shook his head to keep awake. He opened them to the sight of his own reflection staring back on the side mirror. The fingers on his right hand traced the curves of his numb cheek — it was cold from the breeze outside. He closed his eyes again as his index finger and thumb pressed the flesh between his eyes. I need to smoke, he thought.

As the boy reached for his pack of cigarettes, he turned to see that the car was veering off course — approaching the center of the road, a truck was heading towards them on the other side. He turned to the driver whose head was bobbing like the plastic Beagle in the dashboard. The boy cleared his throat to grab the attention of the driver. The old man automatically straightened his posture, the taxi recovered from its disorientation.

The old man just kept quiet, as if nothing happened. The boy thought about the possibilities if he chose to accept his friend’s invitation to sleep in his apartment; if he chose to go home earlier; if he chose to deny the temptation of the last bottle or the last glass of gin; if he chose not to come to the Christmas party at all, for that matter. He asked the driver if he could smoke inside the car, the driver allowed him.

The boy placed a cigarette between his lips and lit it. He inhaled, savoring the smoke, praying that it would drive him away from the caress of sleep. He exhaled, the smoke jumped out his lips, dancing in all the corners of the cab: the array of mute robot figurines and head-bobbing Beagles, the driver’s only companions on silent nights; the rosary and sweet-smelling sampaguita strings hanging on the rear view mirror; the windshield, stained with rainy nights and dusty roads; the leather-covered backseats which smelled rather off; the speakers on the back singing songs of long ago; he boy’s phone, resting on its owner’s hand, which hasn’t received any messages for three minutes.

Halfway from their destination, the driver nearly ran over a man. To this, the boy forced himself to talk to the driver.

“Hapit na ang Christmas.”

“Ah, lagi, dong. Hapit na gyud.”

“Daghan kaayo’g mga tawo ganiha sa mga mol, no?”

“Daghan-daghan sad.”

Silence. The boy thought hard, what would keep the conversation alive? For a long time, the boy hasn’t faced this problem. For too long has he been the center of attention in his clique. For too long has he forgotten how to communicate with the everyday tao.

“Kapoya sige’g shopping, oi.” blurted the boy.

“Lagi, dong. Kapoy kaayo mangita og barato nga mga cellphone. Ganiha buntag gani, gilibot nako ang downtown nangitag pinakabarato nga, unsa ba to? Nokia N, ambot.”

“Haha. N series, nong? Astig nga na mga cell phone. Palit ug inga-na. Di jud ka musisi.”

“Lagi, dong. Nangita lagi ko. Mahal japon ang pinakabarato na nakit-an nako…”

The boy gazed upon the features of the driver: each strand of hair, discolored by days long gone and nights spent awake; his wrinkled face, witness all the emotions of a lifetime; his lips, deep from the packs of cigarettes he placed on the dashboard; his eyes, darkened by shadows.

“…mao pagkahapon ganiha, nangita kog mautangan.”

“Haha. Grabe, koy. Ginaapas na jud nimo ang Christmas para sa ana?”

“O, dong. Para man gud sa anak nako…”

The boy remained silent.

“Buotan siya nga anak. Siya tig-alaga sa mga igsuon niya ug sa balay atong namatay ang iyang mama. Tahimik nga bata, usahay lang mangayo ug masking unsa. Hehe. Malas lang nako kay mahal kaayo ang gusto niya.”

“Usahay lang bitaw mangayo, koy. Hahaha.”

“Hehe. Dili gani siya nangayo. Nadunggan lang nako siya gastorya sa mga amigo niya. Ana siya, gwapo daw kaayo nang Nokia na na.”

“Haha.” The boy inserted his phone in his pocket. He did that not because he feared that the driver might snatch it from him, rather he feared that he himself had become an ingrate.

“Buotan kaayo na bata, buotan kaayo. Siya tig-alaga sad sa ako kung naa koy lanat. Di na jud ko magpalagnat, di ko ganahan na naa siya’y lain isipon, gasto pa jud kaayo.”

There was silence. Alcohol slowly took over the boy’s body. Amidst the cool December air, the full moon, the passing street lamps, the old love songs, the scent of sampaguita, the taste of alcohol and nicotine — the boy fell asleep.

Shortly after, fatigue took over the driver…

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A Sudden Change of Heart…

December 31, 2007

The crowd was cheering, chanting his name. A multitude of voices repeating the two syllables of is name over and over, louder and louder: SAI-KOW! SAI-KOW! SAI-KOW! SAI-KOW! Each shout, like an invisible wave thumping through is sweaty chest, made is heart beat faster, pumping battery acid through his veins. He tightened is grip on the cold microphone, grit his teeth, eyebrows formed into a hood – casting shadows on his bloodshot eyes.

The stage light began to glow, a radiant diffusion of yellows, blues, and reds. He approached center stage, faced the crowd, throwing an ominous stare from the front row of savages to the deep space of flickering lighters at the back row. The crowd screamed.

There is no room for dead air in the stadium tonight: the bass drum blasted through the stereos, then the deep groove of the bass line, and, finally, the detuned roar of the rhythm guitar.

The yellow and the blue stage lights were suddenly turned off and the red ones faltered with every beat of the kick. He roared through the mic and let out a scream that bled out the amplifiers.

“THIS! IS! A! RE! VO! LU! TION!!!”

Bodies flew in the mosh pit. The hazy figures on stage banged their heads in unison. Then, the melodic chorus began.

His voice broke.

Game over.

He threw the mic onto the wooden stage floor and rushed to the backstage.

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an epiphany on christmas night… [prayer]

December 24, 2007

<draft>

You’re 2040 years older, Christ. And in that span of time, where did Humanity go wrong? When did your birthday become one massive party for capitalists?

This season is not about parties; it’s not about buying new things to own; it’s not about receiving stuff; it’s not even about giving. It’s about you and your birthday. It’s about celebrating your day. And what do we do in such an event? We can give nothing that you don’t already have. Unless, of course, the celestial gift of REALIZATION. To realize – no, to be, even once a year, be grateful of the things you have given ALL of us: the gift of life, the gift of friends and family, the gift of talents.

We have been accustomed to the practice of wishing for something when our birthdays come. Therefore, you should have a wish, right? But, you’re the prince, and by the IDEALS we have on running a state, it should be you who listens to the wishes of your people. And that being said, I wish that each and everyone of us, from the starving children of Africa to the ones believing that Christmas is only a holiday of gifts, would realize how blessed we are. For the gift of life, the gift of friends and family, the gift of talents. Call it “best wishes FOR you”.

Happy birthday, Christ…

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The City of Flowers: Eyes of the Loam

December 10, 2007

The child flipped through the pages of a dark green paper back. It was a materialized testament of Time’s evident flow – as off white lines bled from its cover, gnawing its sides, creating an irregular pattern resembling those of the dark clouds in mid-August. Most of the cover had peeled off, the dried scabs of its horizontal wound that parted it into two portions. On the left side, there was a fleeting glimpse of a girl wearing a shimmering white dress and above her was the word “Cinder”. On the right side, below the sketch, was a name: Innocenti.

It was almost seven o’clock in the evening and the night had just finished covering the entire city. From the distance came the faint sounds of production: cars and other automobiles busy flooding the narrow city roads; amalgamated voices of people from different walks of life; seamless hums of the electric bulbs that light the age old streets of the once Spanish colonial fort. But, the streets are far from the child.

The child sat in the middle of a make-shift house: a four by three meter structure supported by driftwood and such; its cardboard walls were easy to pull apart if society wanted the child’s family out of their territory, easy to put up if society forgot that the squatters even existed; its aluminum roof, weak against the strong winds of the rainy season, leaked of foul smelling liquid – dripping from one corner to a plastic container, later to be heated and made potable; it had a small hole, a window to the outside world, located in front of the child, heads of by passers, black silhouettes amidst the faint yellow street lamp, crossed every now and then; and a door, to the child’s right, kept close if the child was alone. The whole shanty had one source of light, a gas lamp that flickered, throwing shadows at the shanty’s interior – on to the words in the book that seldom made sense to the child.

Indeed, the child never understood the letters in the book, but it had pretty pictures in it. The child flipped back to the first page and read out of memory: Once upon a time. The voice of the child’s dead mother still fresh in thoughts, still fresh on the pages of one of the many books she salvaged from their once burning house. The child’s fingers, like jointed matchsticks covered with brown paper, trembled with each page – not because of melancholy, but because of something closer to the body: hunger.

The feeling was more of a reality than the fleeting twilight, than the passing shadows. The child’s body felt the trembling sensation from the belly, blown out of proportion in relation to the rest of the body. The child’s hand clenched the dirty fabric that covered the stomach. It, too, will pass.

Whistles and howls burst from the outside – the child’s sister is coming with food.

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True Story Plotting a Lie

December 10, 2007

“When I stepped into the house, my mother slowly turned her head to see me barely standing between two heavy, Narra doors. Her eyes widened as her jaw dropped, parting her lips, not quite saying anything – yet. Her eyes scanned me from my muddy shoes, khaki shorts with someone’s footprint, sweat-tye-dyed shirt, bleeding nose, to my messed up hair. She dropped her phone and ran towards me while uttering profanities, none of which bothered me until these words jumped from her lips as the warmth of her hand pressed against my left cheek – What happened to you?”

Correct me if I’m wrong, but I dare say that we’ve all been in a situation where we are asked about something but we just can’t muster the strength to answer it. Why? Well, maybe because we are ashamed of answering it; or it’s not yet time to answer it; or, in the case of the excerpt I just presented, the answer is supposed to be a secret.

So, what do you expect the main character to do, given that he’s in such a situation? He can’t possibly run, since he already appears half-dying. And I’m really not that sick to actually push him into knocking his own mother unconscious (by the way, the excerpt is from my actual experience). So, the only option he has would be to LIE.

See, here’s an interesting thing about lying: it’s the closest thing we have to impromptu story telling. And by that I mean the creation of the story in our heads – creating bits and pieces of a story from readily available “things” and connecting them to each other piece by piece – within a time limit. We, and I’m assuming that only my classmates and Ms. Claire are the only ones reading this, are writers, therefore, we’re good LIARS! So, let’s help the main character, shall we?

First, let’s put ourselves in the muddy shoes of the main character. He is supposed to LIE, right? Well then, let’s begin by searching for the “readily available things” that he could use to weave his “story”. We have: muddy shoes, khaki shorts with someone’s footprint, sweat-tye-dyed shirt, bleeding nose, and messed up hair. So, what do we do with these seemingly pointless pieces of, lack of a better word, corn-ass? Well, we should DEFINE each and every one of them for our dear character.

We all know that something can never come out from nothing. So, by the word DEFINITION, I mean to say that we should state the proper CAUSES of the “RATs” (readily available things). We can say that the shoes became muddy BECAUSE of the muddy road our main character took to escape from the psychopath killer that kicked his leg, THUS the footprint on his shorts, but he suddenly tripped on a stone and his head smack on a hard toad CAUSING his bleeding nose, and so on.

What we just did, brothers and sisters, was make a PLOT. And if you would take the time to actually notice the CAPITALIZED letters, you’d see that a plot revolves around the CAUSES of EVENTS. This PLOT thing, in my honest opinion, can be visualized as the large DOTS we use when we’re making those graphs about annual taxes, growth rate, weekly count of smoking deaths, etc. They are EVENTS which become alive through the ACTIONS of the characters and/or some other natural phenomena (causes).

Now that we’ve “defined” the RATs, we should “tell” the “story” to the worried mother.

“And I spoke to her through my trembling lips: I was chased by some woman through a muddy road because I called her son an ‘ugly spawn of some random, ugly woman’. But, she caught up on me and kicked my leg which caused me to fall face flat on the ground. Sad thing is: there was a stupidly large stone on the spot where my nose landed. She then picked me up and talked to me. To this she asked: Tripped? Why isn’t your shirt muddy?”

Error.

So, what should our character do now since the lying didn’t work? We retry. But, this time, let’s move in to something closer to the heart.

Let’s bring the RATs back on the table and let’s ask ourselves, is it really good to lie? Well, yes. But, if “lying” be defined as not telling the truth, then putting extensions on the truth wouldn’t be lying, right? Very well, then, we’ll make our beloved character tell the truth… with a little bit of emotional twists to make the mother have pity on the character rather than want to mash his brains out with a wrench.

“MOM, I JOINED A GANG! BUT, I WAS FORCED INTO IT! I’M A GOOD BOY! BUT THEY THREATENED ME! HUHUHU!!!”

Friends, we just made our character tell a real STORY; A crappy one at that, but a story, none the less.

You see, to me, PLOT is rather too scientific, too logical, and too lifeless in a sense. It exists like clockwork. It revolves around ACTIONS and DECISIONS by nameless, faceless, emotionless agents. PLOT is something that can be stated as plainly as possible: I joined a gang, I got beat up. That’s it, end of story, game over.

But, fret not, there is a way for that “wonderful”, so to speak, plot to have life. And that is to add a CHARACTER to the agents. I use CHARACTER in the same way Aristotle used it: the virtues and characteristics of an agent. In the story of our main character, the main character is the main character, did I lose you there? Simply put, he’s the main character of his own story. So, if we should want to put life in the character he’s presenting (himself) in his story, we should let it show through him and the way he speaks. Make him shout and cry to build up the characteristics of the agent in his story.

By this time, you would be asking: Why not just use the emotions without using the plot? Yup, try making our main character cry without actually explaining how he got the RATs and we’ll see him inside straight jackets.

In conclusion, I should state that we need BOTH the PLOT and the STORY to make a FICTION. We should always remember that art is an EXTENSION of reality, therefore we should always start with this reality governed by logic (PLOT) and extend into a shockingly more colorful one governed by art (STORY).

P.S.
The character was told to clean himself up and a month of silent treatment ensued afterwards.

P.P.S.
I am not affiliated to any fraternity, society, and I certainly don’t belong to any sorority in the UP institution. Should anyone care to ask what “group” I joined, it’s the “Magical Pirates of Don Juan”. Thank you for reading, I love you.